Rampant destruction of sculpture since so-called ‘July Revolution’: What a savage nation we are becoming!

Shweta Irina 14 July 2025

Actually, how much civilized is a nation can be well measured by its intellectual properties as reflected through literature and culture, music and poetry, paintings and sculpture. Every nation which is a connoisseur of paintings and sculpture, protects its heritage with utmost efforts and their celebrated painters or sculptors are recollected through ‘larger than life’ novels and movies. The author narrates the curious case of Bangladesh after the color revolution of 2024.

14 July 2025

Destruction of Bangabandhu's sculpture 'Mrityunjaya' at Bijoy Sarani

‘সুতনুকা নাম দেবদাসিকী তং কাময়িথ বালানশেয়ে দেবদিন্নে নাম লুপদকখে!’ “Sutanuka by name, Devadasi. The excellent among young men loved her, Devadinna by name, skilled in sculpture" is the translation of the aforementioned line in the Magadhi Prakrita language of the ancient age India and inscribed upon the sculpture of a temple-based artist (in terms of singing and dancing) cum courtesan. Once celebrated Bengali novelist Narayan Sanyal, who is still evaluated within the critics, had authored a complete novel (সুতনুকা একটি দেবদাসীর নাম) on basis of this one single line inscription on the sculpture in the cave temple of Ramgarh mountain in Madhya Pradesh, India. A more loose and easily comprehensible Bengali translation of this line in Magadhi Prakrita goes on like: 'সুতনুকা নামে এক দেবদাসী, তাহারে ভালবাসিয়াছিল/ দেবদিন্নে নামে এক রূপদক্ষ। ’Generally the sculptors were termed as ‘রূপদক্ষ’ in Sanskrit which reads as ‘লুপদকখে’ in Magadhi Prakrita and ‘ভাস্কর’ in Bengali. Michelangelo Buonarotti, one of the greatest sculptors of all

ages, thus depicted his perception about sculpting: ‘I saw the angel in the marble and carved until I set him free.’ The creator of ‘David,’ ‘Pieta,’ ‘Sistine Chapel’ and so many other monumental art-works further narrated sculpting as ‘In every block of marble I see a statue as plain as though it stood before me, shaped and perfect in attitude and action. I have only to hew away the rough walls that imprison the lovely apparition to reveal it to the other eyes as mine see it.’ Actually, how much civilized is a nation can be well measured by its intellectual properties as reflected through literature and culture, music and poetry, paintings and sculpture. Every nation which is a connoisseur of paintings and sculpture, protects its heritage with utmost efforts and their celebrated painters or sculptors are recollected through ‘larger than life’ novels and movies. Remember how Akira Kurosawa paid his tribute to Vincent Van Gogh in one of his…

Bangladesh, Dr Yunus, Opinion

When the Tulip unfurls her petals!

Shweta Irina 24 June 2025

The article discusses Yunus' recent trip to the UK and the corruption allegation of Bangladesh government against British MP Tulip Siddique.

24 June 2025

‘Mandar dafa bajna /Abir gul lala kum kum/ Keshor charato karawato/Kutuhal has e/Mandar dafa bajna.’ (Mandolins are being played/colored powders getting sprinkled/ Tulip unfurling her petals/Women have curious smiles on their lips). (Hindustani Dhamar on the spring festival) …It was the year of 1989. Me and my immediate elder sister used to attend a Hindustani classical music class (as many other middle-class Bengali girls attend in their childhood or adolescence days and later most of them cannot continue for studies, work or etc. etc.) where our teacher used to train us in ‘Dhrupad’ and ‘Dhamar’- two unique forms of Hindustani classical music besides the too commonly practiced ‘Kheyal.’ Sometimes we used to ask the teacher meaning of all these Hindustani lyrics and he tried to explain at his best. The aforementioned lyrics of Dhamar was composed by any of the classical lyricists of the sub-continent (or to be more accurate, by the lyricists from Persia or Afghanistan up to

the Indian sub-continent) to welcome the advent of spring and the word ‘gul lala’ means Tulip in Urdu and this Tulip is opening her petals in the spring (Keshar charato karawato). We know how much our Hindustani classical music has been enriched by the composers from Persia like Ameer Khasru and others. In fact, the word ‘Dafa’ means ‘Mandolin’, a particular type of musical instrument which used to be played in any festival in Persia and the adjoining regions and still it is played across a long route from Persia or central Asia to the Pakistan-North Indian territories. Although reputed Bengali musicians like Kabeer Suman are now-a-days advocating for writing Bengali Kheyals for better comprehension of the Bengali learners (as language often seems to be a barrier in understanding the North Indian classical music and learning Hindustani classical is a pre-requisite for achieving minimum skills in music of this region), but can we ever deny that how the ancient and…

Analysis, Bangladesh, China, Current Affairs, India, Myanmar, Proxy War, USA, War

The Corridor of Complicity: Bangladesh at the Edge of a Proxy War

Iconus Clustus 9 May 2025

In the shadow of Myanmar’s civil conflict and the ongoing humanitarian tragedy of the Rohingya, a new geopolitical proposition emerges: the creation of a humanitarian corridor through Bangladesh. While clothed in the language of compassion, this proposition is anything but innocent. This piece examines the philosophical and ethical stakes of such a corridor, the actors involved—state and non-state, regional and global—and the legitimacy crisis of Bangladesh's interim regime. It warns that the corridor risks becoming a conduit for proxy warfare, drawing Bangladesh into a dangerous entanglement, compromising its moral identity and national sovereignty.

9 May 2025

1. Setting the Stage: The Specter of the Corridor The emergence of a proposed "humanitarian corridor" connecting the Arakan region of Myanmar to the outside world through Bangladesh is not an isolated gesture of international goodwill. Instead, it harks back to historical precedents where similar rhetoric masked hard geopolitical motives. Corridors have often functioned as the thin edge of interventionist wedges, paving the way for foreign involvement, regime change, or the legitimization of proxy actors. In this context, the corridor risks becoming a gateway for U.S.-led strategic penetration, not just into Myanmar, but into the heart of South Asian balance. The alignment of the corridor with insurgent activity and covert arms movement under the guise of humanitarianism bears striking resemblance to past interventions in Iraq, Syria, and Libya. 2. An Illegitimate Regime, An Unrepresentative Gamble At the heart of this unfolding dilemma lies Bangladesh – a nation whose current government holds no electoral mandate. The Yunus-led interim regime, installed following

the ousting of the elected government, lacks constitutional legitimacy. It neither represents the will of the people nor adheres to the foundational principles upon which Bangladesh was founded. Any decision it takes, especially those with massive geopolitical and ethical consequences, must be questioned not only for their outcomes but for the very authority under which they are made. The regime’s submission to U.S. designs casts a long shadow on national sovereignty, one that cannot be overlooked or excused. 3. The Chorus of Actors: State and Non-State Entanglements The scenario brings together a complex cast of actors: the United States with its strategic doctrines; China, wary and watchful; Myanmar, whose sovereignty is directly endangered; the Arakan Army (AA), a non-state military actor now courted by Western support; India, in whose backyard the entire drama is being played out; and Bangladesh, which finds itself caught in a web of foreign interests and domestic instability. Crucially, the Arakan Rohingya Salvation Army (ARSA), another…

Analysis, Bangladesh, Current Affairs, India, Opinion, Pakistan, Politics, Secularism, War

A Region Unravels: From the Indus to the Bay of Bengal, the Secular Order Faces Its Greatest Test

Iconus Clustus 25 April 2025

The Indus Treaty has collapsed. The Shimla Agreement lies suspended. From Pakistan’s proxy warfare to Bangladesh’s creeping Islamism and great power maneuvering, South Asia is entering not just a geopolitical spiral—but a civilizational eclipse. What we’re witnessing is the slow disintegration of the pluralist soul that once defined this region.

25 April 2025

I. Introduction: The Breaking of a Compact When India suspended the Indus Waters Treaty following the terror attack in Pahalgam—carried out by The Resistance Front (TRF), a group with clear operational and ideological ties to Pakistan's deep state—it did more than nullify a water-sharing agreement. It shattered one of the few remaining symbols of post-Partition cooperation between the two nuclear-armed rivals. For decades, the treaty withstood wars, diplomatic breakdowns, and public rage. That it should now collapse in response to yet another incident of state-proxied terror speaks volumes—not only about India’s strategic posture but about the region’s crumbling secular compact. Now, that compact has fractured even further. In a retaliatory gesture of its own, Pakistan has suspended the Shimla Agreement (1972)—a foundational accord that once governed diplomatic protocols, bilateralism, and conflict resolution between India and Pakistan. If the Indus Waters Treaty was the hydrological pillar of cooperation, the Shimla Agreement was its diplomatic spine. Together, these two treaties formed the

last architecture of mutual restraint between nuclear neighbors. Their dual collapse signals a freefall into a pre-1970s strategic environment—one where war, not negotiation, is again the default setting. However, to treat the Treaty’s dissolution as a bilateral escalation alone would be myopic. It is better understood as the tremor before a regional quake. From the Indus in the West to the Bay of Bengal in the East, a new geopolitical alignment is taking shape—an alignment that threatens to undo the fragile, secular, and postcolonial order that had once offered a vision of stability. Across South Asia, terror proxies are resurgent, Islamist politics is infiltrating interim governments, and foreign powers are circling zones of instability under the guise of humanitarian concern. India, at the heart of it all, finds itself in a two-front dilemma. In the West, Pakistan continues to serve as an incubator for transnational jihadist ambitions. In the East, Bangladesh’s descent into political instability and Islamist resurgence—combined with creeping…

Bangladesh, Dr Yunus, Journalism, Liberation War, Politics, Secularism

Shahriar Kabir’s Pen Refused to Bow

Sherlock Holmes 22 April 2025

The Yunus regime stands condemned for unjustly imprisoning freedom fighter Shahriar Kabir, a steadfast symbol of secularism, on baseless charges. He is enduring torture behind bars and being denied critical medical care after experiencing a cardiac arrest. His plight underscores the blatant cruelty of this unconstitutional government, which serves the interests of war criminals and extremist leaders.

22 April 2025

It has been more than seven months1 since Shahriar Kabir, an eminent writer, journalist, filmmaker and intellectual of Bangladesh, was arrested by the unconstitutional interim Government2 led by Dr. Muhammad Yunus on false allegations. Unlike him, during this despicable Yunus regime, many journalists, writers and political-cultural activists are either behind bars, indicted on false accusations or flying the coop3. In the last seven months of 75-year-old Shahriar Kabir's imprisonment, he, who cannot move without a wheelchair, has faced grim conditions as Yunus's phoney Government shows a complete lack of rule of law, resembling the law of the jungle. Futility in case filing, multiple impertinent remands, hare-brained judicial process, and naked violation of the Prisons Act of Bangladesh are pointed out. Significantly, the Yunus Government is going ape to hinder the basic treatment process of Shahriar Kabir, which is considered a fundamental responsibility of the state according to the de jure constitution of Bangladesh. Even after the second cardiac arrest of

Shahriar Kabir in jail4, the Yunus Government fiddled with the treatment. The corporate media has not reported, editorialised, post-editorialised, or discussed Shahriar Kabir's sufferings in newspapers or on talk shows, and there is no patina of so-called intellectuals' or human rights organisations' statements. Only social media activists, secular bloggers, and a single news portal, BD Digest, have broken Yunus's iron curtain against the media5 to crack the news and are up in arms about the megalomaniac Yunus administration. Shahriar Kabir, a freedom fighter in Bangladesh's Liberation War in 1971, dedicated his life to promoting and preserving the spirit of Bangladesh's liberation movement. He has been dry behind his ears for five decades of Bengali children's literature6. Being a nonpareil storyteller, his hearkening back to the wartime memoir and the bedrock of 1971 and writing in pellucid prose for young minds becomes the panacea for all communal and compromised ills. In his novels and short stories written for children, the fastidious…